COME HELL OR HIGH WATER: The Battle For Turkey Creek

Directed by Leah Mahan
This film is now screening! Visit the film website for more information.

ComeHell_Postcard_FrontCome Hell or High Water: The Battle for Turkey Creek follows the painful but inspiring journey of Derrick Evans, a Boston teacher who returns to his native coastal Mississippi when the graves of his ancestors are bulldozed to make way for the sprawling city of Gulfport. Derrick’s life is consumed by the effort to protect the community his great grandfather’s grandfather settled as a former slave. He is on the verge of a breakthrough when Hurricane Katrina strikes the Gulf Coast. After years of restoration work to bring Turkey Creek back from the brink of death, the community gains significant federal support for cultural and ecological preservation. Derrick makes plans to return to Boston to rebuild the life he abandoned, but another disaster seals his fate as a reluctant activist.

“This intimate film tells a gigantic story — about race, about power, about so-called development. But it is also a saga of community, resilience, resistance, and hope. It’s not just the drama of a small creek in Mississippi — it’s about everything that matters in our society.”
— Bill Bigelow, Rethinking Schools

“The language of power and oppression is omnipresent in Come Hell or High Water, and it doesn’t get any better as Katrina pounds Gulfport in 2005. Still no better when the BP oil disaster happens five years after that. The documentary captures Turkey Creek’s responses to all of these tragedies — and a few remarkable victories against the powers that be.”
— Brentin Mock, Grist

Production Funding was provided by:  W.K. Kellogg Foundation, Independent Television Service (ITVS), Sundance Institute Documentary Fund, Chicken and Egg Pictures, Fledgling Fund, Berkeley Film Foundation, Just Media Fund, Winograd-Hutner Family Fund, Nu Lambda Trust, LEF Moving Image Fund, Fleishhacker Foundation and individual donors

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About the filmmaker:

.Leah Mahan is an independent documentary filmmaker whose work has been nominated by the Directors Guild of America for Outstanding Directorial Achievement. She has been a fellow at the Sundance Institute Documentary Editing and Story Lab and the Producers Institute for New Media Technologies.
Leah’s film Sweet Old Song (2002) was featured on the PBS series P.O.V. and was chosen by film critic Roger Ebert for his Overlooked Film Festival. The film tells the story of Howard “Louie Bluie” Armstrong, an old-time string band musician who undertakes a bittersweet journey with the woman he loves. In 2013 she completed Come Hell or High Water: The Battle for Turkey Creek, about a group of determined Mississippians who struggle to save their endangered Gulf Coast community in the face of rampant development, industrial pollution and disaster. She worked with Gulf Coast NGOs to develop a related community journalism project titled BRIDGE THE GULF. Leah began her career as a research assistant for filmmaker Henry Hampton on the groundbreaking PBS series on the civil rights movement Eyes on the Prize.

A sequel to her first film, Holding Ground: The Rebirth of Dudley Street (1996), was recently completed in 2013. The films tell the story of a vibrant community organization that transforms a devastated Boston neighborhood through grassroots organizing. She and her co-producers returned to Dudley Street to make Gaining Ground when they learned in 2008 that the  teenagers they had followed years before were now leading the organization and the neighborhood had been protected from the foreclosure crisis by an innovative community land trust.
Leah’s work has been supported by the Sundance Institute Documentary Fund, Independent Television Service, Ford Foundation and W.K. Kellogg Foundation. She holds a BA in anthropology from Cornell University and an MFA in Cinema from San Francisco State University. She lives in the San Francisco Bay Area with her husband and their two children.